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Random thoughts about publishing
Contributors |
Wednesday, June 20, 2007
Revisiting Digital Publishing A panel discussion with a bunch of book publishers. So, in 1998, we had e-book readers and no adoption. Just like now. What holding back e-books?
Weight -- a single device holding lots of e-books is lighter than a pile of books. First mention I've seen here of e-books as a "green" alternative. No paper, and therefore a lower-impact way of getting content. Standards will help market growth. Being able to deliver a single, standard e-book format is appealing. Adobe Digital Editions a clear contender already. Another challenge to the audience to experiment with different content delivery models, such as subscription, ad-supported content, and personalization. HarperCollins, Theresa Warner Not interested in giving away content. Is putting e-books and audiobooks in the same "digital" category. Major hurdle with e-books is clearing author rights. From 2001 to 2008, 800 percent increase in revenue from e-books. From 2005 to 2008, 800 percent increase in audiobooks. (Of course, the baseline numbers is small.) 75% of revenue is generated from titles selling fewer than 49 units a month. This is backward from print books. 95% of titles sell fewer than 49 units a month. Top-selling category is romance. Michael Creighton's Prey is the top-selling single title. Large book retailers are not in the e-book space, but amazon is coming. Library market is about 15 percent of overall revenue. Direct sales are about 5 percent of revenue. Experimenting with "digital only" short content. They sell well, and are also driving sales of the author's backlist by 41%. Buyers are coming from the author's web site. Small experiments may be worthwhile for data capture even though they may not generate revenue. Claire Israel, Simon & Schuster Worked at one point for the startup that created the Rocket eBook. Started publishing e-books in 1998. 3500 books in the program to date. 80 new titles a month. No ROI calculations for a single book. Lots of experiments. E-books are released on the same day as the print book. They are creating e-book files "just in case" they get the rights for a particular book. They are working on getting e-book production into the standard workflow. This is difficult and expensive. Originally, Star Trek fan fiction was popular. Now, narrative non-fiction, Stephen King, and also romance. The young adult market has been ignored and shouldn't be. (This is a really good point. Everybody's talking about how kids are all over computers and only consume information online, so why not provide their books online?) What they worry about:
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