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Author: Sarah O'Keefe

Industry insights

How to Get a Job

[update to correct bad links]

This is the best advice for job seekers I’ve ever seen. India Amos writes about her pile of resumes:

And do you want to know what’s the most striking thing about most of these hopefuls? They are completely wasting their time. And mine, of course, but mostly their own. Because they’re not only not going to get a job with me, they’re not going to get a job with anyone unless that person is as slovenly and illiterate as these applicants.

She proceeds to offer some excellent advice in numerous categories. Here are some excerpts from a lengthy list about formatting:

  • Learn to use style sheets, so that you can make your heading styles consistent. If you choose to ignore my request for a PDF résumé, try to make sure your Word attachment doesn’t demonstrate to me what a slob you are, formatting everything locally and aligning text using spaces instead of tabs.
  • Don’t Capitalize Everything. I Cannot Emphasize This Enough. It Makes You Look Like a 419 Scammer.
  • Violet 9pt Arial is probably not a good choice for anything.

Hehe. (sob)

Related to this: How Not to Get a Job (Palimpsest, December 2007)

Of course, in today’s economy, lots of people need jobs. So here is some long-promised advice on how to get a job:

  1. Apply for jobs where your skillset is relevant. In this job market, with tons of job seekers, you are unlikely to get the “stretch” position. So, look for positions that are equivalent to your last position, that you are uniquely qualified for, or that you are slightly overqualified for. For instance, let’s say you are a technical writer with five years of experience and “the usual” complement of technical skills. What is your unique qualification? If you speak some Japanese, look for Japanese companies where your language skills might be useful. If your undergraduate degree is in music, look for a company that makes music software or products related to music. In other words, look for a position where your outside interests are also relevant. But, at a minimum, apply only for positions that you are reasonably qualified for. It’s tempting, especially when you really need a job Right Now, to take the firehose approach and spray resumes everywhere. It doesn’t work. Focus your job search and send out a smaller number of really good applications.
  2. Do your homework. Before contacting the company, investigate. Read their web site, read any recent news coverage. Look them up on LinkedIn and see if you know anyone in the organization. (You are on LinkedIn, right?) Use the information you find to make your application more relevant. If you get an interview, do more homework before the interview.
  3. When you apply for the job, follow the #!%$#!%#! instructions. If asked for PDF, provide PDF. If asked for Word, provide Word. Et cetera.
  4. Submit resumes online. Paper and snail mail takes too long. By the time your resume arrives by mail, the position could be filled. Also, dropping off your resume in person? Creepy and needy. (One exception: If you know someone at the organization and they are willing to deliver the resume for you. Even then, I would recommend sending your contact email with the resume and asking him or her to forward it.)
  5. Whether it is requested or not, write a cover letter. The cover letter should be the body of your email and not an attachment. Follow Ms. Amos’s excellent advice. You might also use a T letter as your cover letter, but do send the resume. Tom Murrell describes the T letter in detail in his article Get More Interviews with a T-letter. But again, I disagree with his advice to leave out the resume. If you are instructed to send a resume, send a resume.
  6. Show up on time for any in-person interview. If possible, do a dry run the day before to locate the building. Or plan to arrive very early. There are worse things than sitting in a nearby coffee shop for half an hour. (Don’t chug too much coffee.)

I could go on for a long time, but frankly, these six points will lift you above 95 percent of the other applicants, and you can do the rest.

(India Amos via words / myth / ampersand & virgule)

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Industry insights

I am not a Pod Person

Confession time: I don’t like podcasts.

And I think I know why.

I am a voracious reader. And by voracious, I mean that I often cook with a stirring spoon in one hand and a book in the other. I go through at least a dozen books a months (booksfree is my friend).

So why don’t I like podcasts?

  1. They’re inconvenient. I don’t have a lot of interrupted listening time, other than at the gym. And frankly, there’s a bizarre cognitive dissonance listening to Tom Johnson interview Bogo Vatovec while I’m lifting weights. I tried listening to a crafting podcast, but that was worse — my brain can’t handle auditory input describing crocheting techniques while simultaneously operating an elliptical machine. So I went back to Dr. Phil on the gym TV. It may rot my brain, but at least it doesn’t hurt.
  2. They’re inefficient. I can listen to a 30-minute podcast, or I can skim the equivalent text in 90 seconds.

I’ve been thinking about what would make a podcast more appealing to me, and realized that it’s not really the medium I object to, it’s my inability to control the delivery.

I’ll become a podcasting proponent when I perceive these properties:

  1. Better navigation. Podcasts, like other content, need to be divided into logical chunks. These chunks should be accessible via a table of contents and an index.
  2. Ability to skim. Podcasts need to provide the audio equivalent of flipping pages in a book or scrolling through a document while only reading the headings.

Depending on the software you use to consume podcasts, you may already have some of the features. For instance, a colleague told me that he listened to my recent DITA webinar at five times the normal speed:

I wanted to let you know about something in particular. I listened to it at 5x fast fwd in Windows Media Player while drinking a coke. My heart is still racing. You should try it. :o)

Do you enjoy podcasts? Do you have any special techniques for managing them efficiently?

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Content management

WMF…that’ll shut ’em up

Which graphics formats should you use in your documentation? For print, the traditional advice is EPS for line drawings and TIFF for screen captures and photographs. That’s still good advice. These days, you might choose PDF and PNG for the same purposes. There are caveats for each of these formats, but in general, these are excellent choices.

Of course, everybody knows to stay away from WMF, the Windows Metafile Format. WMF doesn’t handle gradients, can’t have more than 256 colors, and refuses to play nice with anything other than Windows.

Think you’re too good to hang out with WMF? For your print and online documentation, perhaps. But it may be a great choice to give to your company’s PowerPoint users.

Are you familiar with this scenario? PowerPoint User saw some graphics in your documentation and thought they would work for some sales presentations. The screen captures are easy; you just give PowerPoint User PNGs or BMPs or whatever. It’s the line drawings that are the problem. PowerPoint User doesn’t have Illustrator and has never heard of EPS. PowerPoint User says, “Can you give me a copy of those pictures in a format that I can use in PowerPoint? Oh, and can make that box purple and change that font for me first? And move that line just a little bit? And make that line thicker? And remove that entire right side of the picture and split it into two pictures?”

You want PowerPoint User to reuse the graphics; you’re all about reuse. But you have dealt with PowerPoint User before, and you know you will never get your real job done if you get pulled into the sucking vortex of PowerPoint User’s endless requests.

The secret is to give PowerPoint User the graphics in a format that can be edited from within PowerPoint (or Word): WMF. Here’s the drill that will make you a hero:

  1. Save your graphics as WMF.
  2. Place each WMF on a separate page in a PowerPoint or Word file.
  3. Tell PowerPoint User to double-click on a graphic to make it editable.(If you think your PowerPoint User is really dumb, you can double-click the graphic and respond to the dialog box asking if you want to make the drawing editable yourself before saving the file, but nobody is that dumb.)

WMF. It will make PowerPoint User go away…happy!

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DITA

Publishing DITA without the DITA Open Toolkit: A Trend or a Temporary Detour?

I estimate that about 80 percent of our consulting work is XML implementation. And about 80 percent of our XML implementation work is based on DITA. So we spend a lot of time with DITA and the DITA Open Toolkit.

I’m starting to wonder, though, whether the adoption rate of DITA and the DITA Open Toolkit is going to diverge.

For DITA, what we hear most often is that it’s “good enough.” DITA may not be a perfect fit for a customer’s content, but our customer doesn’t see a compelling reason to build the perfect structure. In other words, they are willing to compromise on document structure. DITA structure, even without specialization, offers a reasonable topic-based solution.

But for output, the requirements tend to be much more exacting. Customers want any output to match their established look and feel requirements precisely.

Widespread adoption of DITA leads to a a sort of herd effect with safety in numbers. Not so for the Open Toolkit — output requirements vary widely and people are reluctant to contribute back to the Open Toolkit, perhaps because look and feel is considered proprietary.

The pattern we’re seeing is that customers adopt the Open Toolkit when:

  • They intend to deploy onto multiple servers, and open source avoids licensing headaches.
  • The Open Toolkit provides a useful starting point for their output format.

Customers tend to adopt non-Open Toolkit solutions when:

  • They need attractive PDF. Getting this result from the Open Toolkit isn’t quite impossible, but it’s hard. There are other options that are faster, cheaper, and easier.
  • They need a format that the Open Toolkit doesn’t provide. The most common requirement here is web-based help. Getting from the XHTML output in the Open Toolkit over to a sophisticated tri-pane help system with table of contents, index, and search….well, let’s just say that it keeps me gainfully employed. AIR is another platform that we need to support.

The software vendors seem to be encouraging this trend. In part, I think they would like to find some way to get lock-in on DITA content. Consider the following:

  • Adobe FrameMaker can output lovely PDF from DITA content through FrameMaker (no Open Toolkit). You can also use the Open Toolkit to generate formats such as HTML.
  • ePublisher Pro uses the Open Toolkit under the covers, but provides a GUI that attempts to hide the complexities.
  • MadCap’s software will support DITA (initially) by importing DITA content and letting you publish through MadCap’s existing publishing engine.
  • Several other vendors provide support for publishing DITA, but do not use the Open Toolkit at all.

The strategy of supporting DITA structure through a proprietary publishing engine actually makes a lot of sense to me. From a customer point of view, you can:

  • Set up an XML-based authoring workflow
  • Manage XML content

It’s not until you’re ready to publish that you move into a proprietary environment.

To me, the interesting question is this: Will the use of proprietary publishing engines be a temporary phenomenon, or will the Open Toolkit eventually displace them in the same way that DITA is displacing custom XML structure?

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DITA

The hidden costs of DITA

Originally published in STC Intercom, April 2008

DITA is a free, pre-made XML document structure. That statement can lead to a few erroneous assumptions: if it’s free, then it will cut down on costs, and if it’s pre-made, it will cut down on labor. There are several things to consider when choosing a DITA solution. Does your staff have the skills to author in a DITA environment? Will additional training be required? Does DITA even match your content model, and if it doesn’t, is it worth the effort to change?

Sarah’s conclusion? “DITA may be free, but it’s not cheap.”

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DITA DITA XML—authors Structured content

When is XML the wrong answer?

Originally published in STC Intercom, November 2007

XML can benefit a publishing workflow in many ways: improving content reuse, consistency, and potentially automating much of the process. That all sounds wonderful, but XML is not the logical answer for everyone.

Implementing a structured authoring solution requires a significant change from the familiar desktop publishing routine to new tools, technologies, and processes. Switching to XML is going to cost time and money. Depending on your needs, it may not be the most efficient solution.

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Change management Structured content

The Age of … Expertise?

Over on O’Reilly’s Radar blog, Andy Oram has a fascinating article about the demise (!) of the Information Age and what will be next:

[T]he Information Age was surprisingly short. In an age of Wikipedia, powerful search engines, and forums loaded with insights from volunteers, information is truly becoming free (economically), and thus worth even less than agriculture or manufacturing. So what has replaced information as the source of value?The answer is expertise. Because most activities offering a good return on investment require some rule-breaking–some challenge to assumptions, some paradigm shift–everyone looks for experts who can manipulate current practice nimbly and see beyond current practice. We are all seeking guides and mentors.

What comes after the information age? (be sure to read the comments, too)

It’s an interesting idea, but I don’t think we’re getting away from the Information Age into the Expertise Age. After all, expertise is just a specialized (useful!) form of information.

In the comments, Tim O’Reilly points out that the real change is in how information is gathered and distributed with “the rise of new forms of computer mediated aggregators and new forms of collective curation and communication.”

I believe that we are still firmly in the Information Age because information has not yet become a commodity product. There is, however, clearly a shift happening in how information is created and delivered. I think it’s helpful to look at communication dimensions:

  • Traditional technical writing is one-to-many. One person/team writes, many people consume it.
  • Wikis are many-to-many. Many people write; many people use the information.
  • Mailing lists are many-to-one. Many people respond to one persons’ question.
  • Technical support is one-to-one. One person calls; one person responds.

Technical support is the most expensive option; it’s also often the most relevant. Technical writing is more efficient (because the answer to the question is provided just once), but also less personal and therefore less relevant.

Many technical writers are concerned about losing control over their content. For an example of the alarmist perspective, read Joanne Hackos’s recent article on wikis. Then, be sure to read Anne Gentle’s eponymous rebuttal on The Content Wrangler.

Keep in mind, though, that you can’t stop people from creating wikis, mailing lists, third-party books, forums, or anything else. You cannot control what people say about your products, and it’s possible that the “unauthorized” information will reach a bigger audience than the Official Documentation(tm). You can attempt to channel these energies into productive information, but our new information age is the Age of Uncontrolled Information.

Furthermore, the fact that people are turning to Google to find information says something deeply unflattering about product documentation, online help, and other user assistance. Why is a Google search more compelling than looking in the help?

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Industry insights

TOC: Tim O’Reilly/Publishing 2.0

What do killer Internet applications have in common?

  • Information businesses (publishers??)
  • Software as a service
  • Internet as platform
  • Harnessing collective intelligence

Web 2.0: harness network effects to get better the more people use them.

  • Google: every time someone makes a web link, they contribute
  • eBay: critical mass of buyers and sellers hard for others to enter
  • amazon: 10M user reviews
  • craigslist: self-service classified ads, users do all the work
  • YouTube: viral distribution, user creation, user curation

Each of these companies is building a database whose values grows in proportion to the number of participants — a network-effective-driven data lock-in. (gulp)

Law of conversation of attractive profits

  • When attractive profits disappear at one stage the opportunity will usually emerge at an adjacent stage.
  • PCs used to be expensive. Software became expensive. Free precursor to rediscovery of value in some other form.

And thus, if digital content is becoming cheap, what’s next? What’s adjacent?

For publishers, the question is: where is value migrating to?

Asymmetric competition

  • craigslist has 18 employees, #7 site on the web (2005 numbers)
  • All others in top 10 have thousands of employees.

Curating user-generated content

  • The skill of writing is to create a context in which other people can think. — Edwin Schlossberg
  • The skill of programming is to create a context in which other people can share.

Collaborative authoring

What job does a book do? What is a book’s competition?

  • Harry Potter’s competitor is World of Warcraft
  • Encyclopedia Britannica — Wikipedia — Google
  • Books compete with information available online
  • Teaching/reference/edutainment

Search is most important benefit of content being online

“Piracy is progressive taxation”

  • Benefits the books at the bottom that would be lost
  • How to balance/manage a progressive taxation system
  • Gain more sales on the bottom end

DRM: “Like taking cat to a vet” (hold them very carefully and loosely!)

More options = happier users

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